This is a real Classics personal statement written by a student for their university application to Cambridge, Pembroke College (Classics), UCL (Classics w. a Year Abroad), Kings (Classics), Bristol (Classics) and Exeter (Classics w. a Year Abroad). It has been carefully edited into the new three-question format, with all of the original wording kept. It may have strengths and weaknesses, but it can be used as inspiration for writing your own UCAS personal statement. Ensure your personal statement is entirely your own work, copying from this example or other sources is considered plagiarism and can affect your application. There are lots more examples in our collection of sample personal statements.
How can knowledge of antiquity's demise be carried forward to ensure the survival of modern civilisation? While visiting Rome last year I was struck how such a successfully enduring empire could have collapse, standing in the same place where the Romans once sat I realised many unexpected similarities. For example between Rome’s appetite for their gory gladiator battles and today's horror films, and that the Pantheon’s construction was as advanced as many a modern building. Past and present connected in my mind, opening a world to be discovered and ignited my passion for Classics.
On returning from Rome, I attended an Ancient Egyptian arts and language course at UCL, finding the unfamiliar complexity of their language intriguing, though its limiting capabilities to express abstract ideas raised the question of the philosophies lost over the centuries due to their inability to be written in script form.
Walking the full length of Hadrian's Wall earlier this summer challenged my preconceptions about the Romans' influence on the modern world; the Wall prevails as a symbol of the divide between England and Scotland giving a glimpse of how Western politics can be tracked back to the time of Hadrian's rule. Attending this summer's Cambridge Classics Residential Course encouraged me to read Chadwick's Decipherment of Linear B and I became intrigued by the link between archaeology and theories about the ancient world.
Watching a performance of Medea evoked my interest in Dramatic Theory, leading me to Nietzsche's essay 'The Birth of Tragedy' and the nature of Greek tragedy. On reading a contrasting view in Aristotle's Poetics I wrote my extended essay considering the ambiguity of tragedy's decline.
My fascination for Classics will fuel my already strong work ethic at University so I can develop sound knowledge of my subject, aggregating many strands of knowledge into contributions to improvement in the field to become valued member of the Classics community.
Translating Ovid's Metamorphoses, I found an enthusiasm for the humour of these tales in the prose formation. In an attempt to supplement this I read Avianus' Fabulae which sparked a desire to further explore this genre. In my search for a deeper understanding, I read 'Harrius Potter et Philosophi Lapis' to compare popular forms of Latin in deviating cultures. In my opinion the novel showcases the evolution of language; the phrase 'collisione autocinetorum' invented by Legger in his 'Lexicon Recentis Latinitias' displays the difficulties in comparing societies generations apart, the phrase was unknown to the Romans and so updating an ancient language makes its study all the more relevant.
My other IB subjects complement classical studies. I saw parallels between the morals of the characters of Webster’s 'Duchess of Malfi' and Virgil’s heroes in the Aeneid. Both English Literature and Art at Higher Level have shown me the number of times the influence of classics pervades the layers of history that culture is built on. In my own artwork I explored Plato's allegory of The Cave, enabling me to analyse the text in a more personal approach.
Working with young children has significantly increased my ability to communicate ideas. Last year I established a science club and outreach programme where I learnt how to teach and inspire others, and this year I have founded an Ancient Egyptian art club at school for younger students, inspiring them to experience and ask questions about humanity’s colourful past.
This feedback is AI-generated, based on the text of this personal statement:
This personal statement demonstrates a strong passion for Classics, vividly linking ancient history with modern experiences and showing genuine curiosity beyond the classroom. The applicant effectively integrates academic interests with personal learning experiences and extracurricular outreach, which strengthens their profile. To improve, consider refining sentence structures for clarity and avoiding minor grammatical errors to enhance readability. Additionally, explicitly connecting the qualifications and experiences to skills and attributes relevant for university study can make the statement more compelling under the new UCAS format. Expanding the section on non-educational experiences with more detail on skills developed would further support the application.
The current personal statement format, with three 'scaffolding' questions, was introduced by Ucas in September 2025. This personal statement was submitted before then, using the old essay-style format. It has been carefully edited into the three-question format, with all of the original wording kept.
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